Balkan is a new typeface system that consists of Latin and Cyrillic scripts. The use of Latin and Cyrillic typifies the former Yugoslavian countries, today Serbia, Bosnia and Herzegovina, Montenegro.

The Balkan typeface system is a series of fonts that decodes Latin and Cyrillic; it demystifies, depoliticizes and reconciles them for the sake of education, tolerance, and above all, communication. Though Balkan is a ”font” in the usual sense, it is also capable of translating Croatian Latin into Serbian Cyrillic and vice versa. One could therefore think of it as educational software capable of reconciling discrete scripts. Project was made in collaboration with Nikola Djurek and is available at Typonine.

(via typographie)

Source: behance.net

velominati:

It appears to me that there are two principle types of competitive energies: one which burns by a flame borne of a desire to become the best and one of a desire to be better than others.

http://bit.ly/SgcjIP

Source: velominati.com

Source: inrng

This is a beautifully shot film. With the use of the time lapse device, the cars, motorcycles, people and cyclists look like miniature models not unlike a scene from Thomas the Tank Engine.

The film producer, Nathan Kaso, said:

"Earlier this year I worked with cycling club Audax Australia to capture a tilt-shift time-lapse of their event the Alpine Classic. Starting in the town of Bright 2,200 cyclists tackled several different courses of up to 250km which included ascents of Mount Buffalo, Mount Hotham, Falls Creek and Tawonga Gap. In my four days of shooting I covered nearly 2,000km through the Victorian High Country capturing cyclists, landscapes and the local towns.

The film is shot on a Canon 5D Mark III with 17-40mm f/4L, 24-105mm f/4L and 70-300mm f/4-5.6 as well as the Emotimo TB3 Black motion control head. Some aerial footage was captured using a DJI Phantom with H3-2D gimbal and GoPro Hero3+ Black shooting 2.7K Protunes. Images were processed in Adobe Lightroom, Photoshop and LRTimelapse, while the film was edited in Premiere Pro and After Effects.

The soundtrack and audio mix was produced by Tom Day soundcloud.com/tomday”

6audax, nathan kaso, Conquista, conquista magazine,

stelvio ghosts | velonode f

This is excellent. A must read by Diego Cagnato. http://velonode.cc/stelvio-ghosts/

Big news with the move Future’s cycling titles to Immediate Media Co.

http://www.bikebiz.com/news/read/future-sells-bike-titles-to-immediate-media-co/016443

This is good news for these titles with the new CEO of Future planning to cut and slash jobs and quality content.

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(via typographie)

Source: behance.net


Identité visuelle du Saint Cochon, une charcuterie artisanale qui se transforme le soir en un sympathique bouchon lyonnais.
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Identité visuelle du Saint Cochon, une charcuterie artisanale qui se transforme le soir en un sympathique bouchon lyonnais.
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Identité visuelle du Saint Cochon, une charcuterie artisanale qui se transforme le soir en un sympathique bouchon lyonnais.
ZoomInfo

Identité visuelle du Saint Cochon, une charcuterie artisanale qui se transforme le soir en un sympathique bouchon lyonnais.
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Identité visuelle du Saint Cochon, une charcuterie artisanale qui se transforme le soir en un sympathique bouchon lyonnais.

(via typographie)

Source: behance.net

justcyclingshit:

Giro, 2011
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Camera
Nikon D90
ISO
200
Aperture
f/6.3
Exposure
1/1250th
Focal Length
150mm

justcyclingshit:

Giro, 2011

Source: flickr.com

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